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Clef: TrebleTreble
Participation: 80%-99%
Unique Durations: 8-9
Unique Chords: > 10
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pental
Haydn An den Vetter
pental
3:48 Est. Play
Time
118 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 18 5 4 6 94%
Piano Treble 18 36 6 9 96%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 18 5 4 6 94%
Piano Treble 18 36 6 9 96%
Soprano Treble 14 0 3 9 99%
Baritone Bass 15 0 4 6 93%
Alto Treble 14 0 4 7 92%
 
Pour que la nuit soit propice
pental
2:17 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Secondo Treble 31 24 13 6 100%
Bass 28 14 13 7 92%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Secondo Treble 31 24 13 6 100%
Bass 28 14 13 7 92%
Primo Treble 32 21 16 9 83%
Treble 33 23 13 7 91%
 
Cornelius_Peter_-_6_Lieder_Op.5_No.3_-_Auf_eine_Unbekannte
pental
3:44 Est. Play
Time
75 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 33 86 15 8 85%
Bass 45 49 23 6 99%
Voice Treble 20 0 11 8 83%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 33 86 15 8 85%
Bass 45 49 23 6 99%
Voice Treble 20 0 11 8 83%
 
Holms_Augusta_Mary_Anne_-_Les_Sept_Ivresses_No.1_-_LAmour
pental
2:56 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 38 11 8 75%
Treble 36 20 17 8 96%
Chant Voice Treble 19 0 10 9 90%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 38 11 8 75%
Treble 36 20 17 8 96%
Chant Voice Treble 19 0 10 9 90%
 
Anton Webern Schien mir's, als ich sah die Sonne
pental
2:44 Est. Play
Time
41 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 40 30 16 9 93%
Bass 39 31 15 7 93%
Voice Treble 24 0 10 7 76%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 40 30 16 9 93%
Bass 39 31 15 7 93%
Voice Treble 24 0 10 7 76%
 
III. The Roadside Fire Ralph Vaughan Williams
pental
2:30 Est. Play
Time
63 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 36 48 18 9 96%
Bass 40 10 15 8 94%
Voice Treble 15 0 5 7 82%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 36 48 18 9 96%
Bass 40 10 15 8 94%
Voice Treble 15 0 5 7 82%
 
III. The Roadside Fire Ralph Vaughan Williams
pental
2:30 Est. Play
Time
63 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 36 48 18 9 96%
Bass 40 10 15 8 94%
Voice Treble 15 0 5 7 82%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 36 48 18 9 96%
Bass 40 10 15 8 94%
Voice Treble 15 0 5 7 82%
 
1-Loveliest of trees from A Shropshire Lad Butterworth George
pental
0:01 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 27 37 5 9 82%
Bass 30 16 8 7 72%
Voice Treble 12 0 2 6 73%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 27 37 5 9 82%
Bass 30 16 8 7 72%
Voice Treble 12 0 2 6 73%
 
Pavane Fauré
pental
3:28 Est. Play
Time
106 Measures
1,033Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 38 49 15 9 95%
Bass 37 23 13 6 90%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 38 49 15 9 95%
Bass 37 23 13 6 90%
Alto Treble 10 0 4 8 25%
Tenor Treble 10 0 3 8 24%
Soprano Treble 11 0 2 8 21%
Bass Bass 11 0 4 8 20%